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Madeleine (Isabelle McNally) gives Norman a ride to pick up Mother’s car and the two have an awkward chat about their kiss. Emma is visibly upset and has no idea what Dylan is dealing with.ĭylan and Emma aren’t the only happy couple on the outs. She tells him that maybe it’s time to bury the hatchet and Dylan snaps back to mind her own business, she can’t fix this. When Emma notices his mood, she chalks it up to Dylan missing his mother since she assumes the earing belongs to Norma.
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Guilt Brews AngerĪfter starring at Emma’s mother’s earing all day, Dylan is tense. All he knows is this news is quite upsetting and he needs to get to the bottom of things.
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If Norma was at the bar, it makes sense that Norman woke up with a hangover, but what was she/he doing at a bar? Was Norman, dressed as Norma, picking up men? HOLY BISEXUAL PLOT TWIST NORMAN BATES! That’s exactly what he was doing but Norman still is a little foggy on the details or the separation of himself and his alter. Confused and shaky, Norman thanks him and says he’s a friend of Norma’s and he will pick up her car. The bartender says yes and she left with a man and her car was still there. He calls the White Horse Bar and asks the bartender (Brendon Taylor) if a woman named Norma had been seen there the night before. Norman plays dumb and the meeting is over, but not before the sheriff gives him a warning: Alex might be coming for him and he’s armed.Īfter the tense meeting with Sheriff Greene, Norman heads home to look for Mother. She takes that for what it is, but can’t let go of the connection between Jim Blackwell (John Hainsworth) and Romero’s escape. Using a play on words, Norman tires to outsmart Greene by saying he hadn’t heard from Alex, he chose to visit him and it slipped his mind. He blames the disgraced Sheriff Romero for his mother’s death, but when Greene tells him Alex thought Norman killed his mother the nervous young man says, “Who better to blame than the kid who just got out of the mental hospital.” Unfortunately for Norman, Sheriff Greene is very observant and asks why he told her he hadn’t heard from Alex if he visited him in jail the day before he escaped. He tells her that Alex was lonely and had no friends and therefore he clung to Norma and what eventually led to her demise. Over at the station, Norman is nervously barreling through the sheriff’s questions and offers her his own take on his stepfather Alex. While staring at Emma’s mother’s earing, he seems to be contemplating a confession, but how do you tell the love of your life your brother probably murdered her mother? Emma (Olivia Cooke) has no idea the reasoning behind Dylan and Norma’s rift and the guilt is eating him up. While Norman is under the pressure of the local police, Dylan (Max Theiriot) is under his own kind of pressure in Seattle. Does the sheriff know more about Norman’s problems then she’s letting on? Awkwardly, he agrees and heads to the station for a little game of cat and mouse. Before he has a chance to process the mystery matches, Sheriff Greene (Brooke Smith) is on the phone and wants Norman to come down to the station to answer some questions about Alex Romero (Nestor Carbonell). While searching the house for any signs of how he ended up with his head in the toilet, first thing in the morning, Norman finds a pack of matches from a bar called the White Horse. A hangover wouldn’t be out of the ordinary except Norman has no recollection of the night before. When episode five begins Norman (Freddie Highmore) wakes with a serious hangover and still no signs of Mother (Vera Farmiga). The episode Dreams Die First was the start of what would be a terrifying tumble into the darkness of Norman’s Psycho mind.
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How they got there was anybody’s guess, but we all knew the series would eventually lead us to Marion Crane and that famous shower scene. Since the very first episode of “Bates Motel” fans were always aware of the path this show would take.